Donald E. Westlake

“Who's a boy gonna talk to if not his mother?”

“If Chester had a failing, it was that he believed people were what they thought they were.”

“Nobody gets everything in this life. You decide your priorities and you make your choices. I'd decided long ago that any cake I had would be eaten.”

“In order to hold your faith intact be sure it's kept unsullied by fact.”

“What did Jesus Christ say to the Teamsters? 'Do nothing till I get back.'”

“Eyes wide and blank as the buttons on a first Communion coat.”

“The August sun, God's blood-blister...”

“New York doesn't exactly have neighborhoods, the way most cities do. What it has is closer to distinct and separate villages, some of them existing on different continents, some of them existing in different centuries, and many of them at war with one another. English is not the primary language in many of these villages, but the Roman alphabet does still have a slight edge.”

“Brian had all that day to figure out what was going on, and yet he didn't.”

“I believe my subject is bewilderment. But I could be wrong.”

“Hispanics have a long tradition of defiance against authority. Come to that, the Irish and Italians and Jews also have a long tradition of defiance against authority. Thinking it over, everybody has a long tradition of defiance against authority. (Except the Germans, of course.)”

“It was apparent ... that, all over America, thousands of people threw down a book or got up from a television show and said, 'I can write better than that!' It was amazing how many of them were wrong.”

“Life is a slow-motion avalanche, and none of us are steering.”

“I was once — and only once — asked if I could have had a writing career without the movies. That stopped me, and I was very happy to have to think about it, and decide I knew the answer. Yes; not this career, but a career.\xa0Without movie money, either from writing screenplays or selling rights to novels, I could still have enough of a career that I could support myself and not have to work at some other job, but it would be, shall we say, a less lavish lifestyle.”

“For me, the characters are part of the story, and come out of its development. I don't base them on people, or parts of people – the Frankenstein method. I base them on what I've noticed about the human race. … I cannot tell you how stories develop. I have an initial idea, and start telling myself the story, day by day.”

“I've used pseudonyms for various reasons. In my earliest days I was writing too much, and needed to shift some of the product over to other front men. I've also done it to establish the different tones of the different writings: Stark doesn't write very much like Westlake at all.”