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Mervyn Peake

All Quotes by Mervyn Peake

“For death is life. It is only living that is lifeless.”
— Mervyn Peake
“Life is too fleet for onomatopoeia.”
— Mervyn Peake
“The paper is breathless Like a warlock's wand.”
— Mervyn Peake
“There is a kind of laughter that sickens the soul. Laughter when it is out of control: when it screams and stamps its feet, and sets the bells jangling in the next town. Laughter in all its ignorance and cruelty. Laughter with the seed of Satan in it. It tramples upon shrines; the belly-roarer. It roars, it yells, it is delirious: and yet it is as cold as ice. It has no humour. It is naked noise and naked malice.”
— Mervyn Peake
“Each day I live in a glass roomThe splintered walls to the great landscape.”
— Mervyn Peake
“But we have seen it in the air,A fairy like a William Pear”
— Mervyn Peake
“O'er seas that have no beachesA sofa and a swan.”
— Mervyn Peake
“I saw all of a suddenNo sign of any ship.”
— Mervyn Peake
“It's not their fault if, in the heatAnd gurgle in their spats.”
— Mervyn Peake
“When Uncle JakeOne sees him still about.”
— Mervyn Peake
“Leave the strongervisits thee.”
— Mervyn Peake
“To live at all is miracle enough.”
— Mervyn Peake
“Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls.”
— Mervyn Peake
“This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven.”
— Mervyn Peake
“It was not often that Flay approved of happiness in others. He saw in happiness the seeds of independence, and in independence the seeds of revolt.”
— Mervyn Peake
“This is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or of a woman for their world. For the world of their centre where their lives burn genuinely and with a free flame.”
— Mervyn Peake
“There he was. The infant Titus. His eyes were open but he was quite still. The puckered-up face of the newly-born child, old as the world, wise as the roots of trees. Sin was there and goodness, love, pity and horror, and even beauty for his eyes were pure violet. Earth’s passions, earth’s griefs, earth’s incongruous, ridiculous humours—dormant, yet visible in the wry pippin of a face.”
— Mervyn Peake
“Autumn returned to Gormenghast like a dark spirit re-entering its stronghold.”
— Mervyn Peake
“It was not possible for him to visit his library as often as he wished, for the calls made upon him by the endless ceremonials which were his exacting duty to perform robbed him for many hours each day of his only pleasure—books.”
— Mervyn Peake
“He also knew when to stop. In the fine art of deceit and personal advancement as in any other calling this is the hallmark of the master.”
— Mervyn Peake
“These days a passion to accumulate knowledge of any and every kind consumed him; but only as a means to an end. He must know all things, for only so might he have, when situations arose in the future, a full pack of cards to play from.”
— Mervyn Peake
“Never having had either positive cruelty or kindness shown to her by her parents, but only an indifference, she was not conscious of what it was that she missed—affection.”
— Mervyn Peake
“It was not certain what significance the ceremony held, for unfortunately the records were lost, but the formality was no less sacred for being unintelligible.”
— Mervyn Peake
“What is Time, O sister of similar features, that you speak of it so subserviently? Are we to be the slaves of the sun, that secondhand, overrated knob of gilt, or of his sister, that fatuous circle of silver paper? A curse upon their ridiculous dictatorship!”
— Mervyn Peake
“The ritual which his body had had to perform for fifty years had been no preparation for the unexpected.”
— Mervyn Peake
“At the back of their personal troubles, hopes and fears, this less immediate trepidation grew, this intangible suggestion of change, that most unforgivable of all heresies.”
— Mervyn Peake
“Drear ritual turned its wheel.”
— Mervyn Peake
“The summer was heavy with a kind of soft grey-blue weight in the sky—yet not in the sky, for it was as though there were no sky, but only air, an impalpable grey-blue substance, drugged with the weight of its own heat and hue.”
— Mervyn Peake
“What had happened? As he asked himself the question, he knew the answer. That no one had thought fit to tell him! No one! It was a bitter pill for him to swallow. He had been forgotten. Yet he had always wished to be forgotten. He could not have it both ways.”
— Mervyn Peake
“Through honeycombs of stone would now be wandering the passions in their clay. There would be tears and there would be strange laughter. Fierce births and deaths beneath umbrageous ceilings. And dreams, and violence, and disenchantment.”
— Mervyn Peake
“Withdrawn and ruinous it broods in umbra: the immemorial masonry: the towers, the tracks. Is all corroding? No. Through an avenue of spires a zephyr floats; a bird whistles; a freshet bears away from a choked river.”
— Mervyn Peake
“So limp of brain that for them to conceive an idea is to risk a haemorrhage.”
— Mervyn Peake
“If ever he had harboured a conscience in his tough narrow breast he had by now dug out and flung away the awkward thing—flung it so far away that were he ever to need it again he could never find it.”
— Mervyn Peake
“A spider lowered itself, fathom by fathom, on a perilous length of thread and was suddenly transfixed in the path of a sunbeam and, for an instant, was a thing of radiant gold.”
— Mervyn Peake
“At an ink-stained desk, with his chin cupped in his hands, Titus was contemplating, as in a dream, the chalk-marks on the blackboard. They represented a sum in short division, but might as well have been some hieroglyphic message from a moonstruck prophet to his lost tribe a thousand years ago.”
— Mervyn Peake
“It was thought that he had genius, if only because he had been able to delegate his duties in so intricate a way that there was never any need for him to do anything at all. His signature, which was necessary from time to time at the end of long notices which no one read, was always faked, and even the ingenious system of delegation whereon his greatness rested was itself worked out by another.”
— Mervyn Peake
“His face wore the resigned expression of one who knew that the only difference between one day and the next lies in the pages of a calendar.”
— Mervyn Peake
“This extreme air of abstraction, of empty and bland removedness, was almost terrifying. It was that kind of unconcern that humbled the ardent, the passionate of nature, and made them wonder why they were expending so much energy of body and spirit when every day but led them to the worms. Deadyawn, by temperament or lack of it, achieved unwittingly what wise men crave: equipoise.”
— Mervyn Peake
“How merciful a thing is man’s ignorance of his immediate future! What a ghastly, paralysing thing it would have been if all those present could have known what was about to happen within a matter of seconds!”
— Mervyn Peake
“This upstart, this dangerous, unprecedented upstart, whose pursuit of the doctrines was propelled by a greed for personal power as cold as it was tameless.”
— Mervyn Peake
“There is something about a swarm that is damaging to the pride of its individual members.”
— Mervyn Peake
“They knew now that they could never accomplish that long carpet-journey with anything like Cutflower’s air, but he reminded them at every footstep, every inclination of the head, that the whole point of life was to be happy.”
— Mervyn Peake
“There are times when the emotions are so clamorous and the rational working of the mind so perfunctory that there is no telling where the actual leaves off and the images of fantasy begin.”
— Mervyn Peake
“The tremendous gulf between the sexes yawned—and an abyss, terrifying and thrilling, sheer and black as the arbour in which they sat; a darkness wide, dangerous, imponderable and littered with the wrecks of broken bridges.”
— Mervyn Peake
“The walls of Gormenghast were like the walls of paradise or the walls of an inferno. The colours were devilish or angelical according to the colour of the mind that watched them. They swam, those walls, with the hues of hell, with the tints of Zion. The breasts of the plumaged seraphim; the scales of Satan.”
— Mervyn Peake
“Other people’s faults can be fascinating. One’s own are dreary.”
— Mervyn Peake
“There is danger in deep water, and danger is more real than beauty in a boy’s mind.”
— Mervyn Peake
“The days wear out the months and the months wear out the years, and a flux of moments, like an unquiet tide, eats at the black coast of futurity.”
— Mervyn Peake
“He knew that he was caught up in one of those stretches of time when for anything to happen normally would be abnormal. The dawn was too tense and highly charged for any common happening to survive.”
— Mervyn Peake
“He was meaner, more irritable, more impatient for the ultimate power which could only be his through the elimination of all rivals; and if he had ever had any scruples, any love at all for even a monkey, a book, or a sword-hilt, all this, and even this, had been cauterized and drowned away.”
— Mervyn Peake
“What had his memory done to her that he should now be seeing a creature so radically at variance with the image that had filled his mind?”
— Mervyn Peake
“He had learned that there were other ways of life from the ways of his great home. He had completed an experience. He had emptied the bright goblet of romance; at a single gulp he had emptied it. The glass of it lay scattered on the floor. But with the beauty and the ugliness, the ice and the fire of it on his tongue and in his blood he could begin again.”
— Mervyn Peake
“The lives of the Outer Dwellers had become almost normal again. Bitterness was their bread and rivalry their wine.”
— Mervyn Peake
“His days were full of meaningless ceremonies whose sacredness appeared to be in inverse ratio to their comprehensibility or usefulness.”
— Mervyn Peake
“He was as young as twenty years allowed, and as old as it could make him.”
— Mervyn Peake
““There is no point in erecting a structure,” said Muzzlehatch, taking no notice of Titus’s question, “unless someone else pulls it down. There is no value in a rule until it is broken. There is nothing in life unless there is death at the back of it. Death, dear boy, leaning over the edge of the world and grinning like a boneyard.””
— Mervyn Peake
““I am a beggar.”“You are a travesty,” said Titus, “and when you die the earth will breathe again.””
— Mervyn Peake
“And yet, though his eyes shone with the thrill of his discovery, he suffered at the same time a pang of resentment—a resentment that this alien realm should be able to exist in a world that appeared to have no reference to his home and which seemed, in fact, supremely self-sufficient.”
— Mervyn Peake
““Life must be various, incongruous, vile and electric. Life must be ruthless and as full of love as may be found in a jaguar’s fang.”“I like the way you talk, young man,” said Grass, “but I don’t know what you’re saying.””
— Mervyn Peake
“Art should be artless, not heartless.”
— Mervyn Peake
““You have a rough manner,” said Titus. “But you have saved me twice. Why are you helping me?”“I have no idea,” said Muzzlehatch. “There must be something wrong with my brain.””
— Mervyn Peake
“What was important, now, with her eyes bent upon him, and the shadow of a branch trembling across her breast, was the immemorial game of love: no less a game for being grave. No less grave for being wild. Grave as a great green sky. Grave as a surgeon’s knife.”
— Mervyn Peake
““So you thought you’d come back, my wicked one. Where have you been?”“Not so,” said Titus, “hell is overrated.””
— Mervyn Peake
“His mind fell asleep. His wits fell awake. His cock trembled like a harp-string.”
— Mervyn Peake
““There’s something else, Mr. Muzzlehatch.”“I’m sure there is. In fact there is everything else.””
— Mervyn Peake
““Let go of my arm, or I will scream for God.”“He never helped you. Have you forgotten?””
— Mervyn Peake
“Pompous as only failures can be.”
— Mervyn Peake
““Let him play,” whispered Cheeta. “Let him make believe that he’s alive again.””
— Mervyn Peake
“Once there were islands all a-sprout with palms: and coral reefs and sands as white as milk. What is there now but a vast shambles of the heart? Filth, squalor, and a world of little men.”
— Mervyn Peake