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Camille Paglia
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Camille Paglia

art historian, writer, literary critic, journalist, film critic, essayist, university teacher

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1947

Camille Anna Paglia is an American academic, social critic and feminist. Paglia was a professor at the University of the Arts in Philadelphia, Pennsylvania from 1984 until the university's closure in 2024. She is critical of many aspects of modern culture and is the author of Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990) and other books. She is also a critic of contemporary American feminism and of post-structuralism, as well as a commentator on multiple aspects of American culture such as its visual art, music, and film history.

All Quotes by Camille Paglia

“The mystique of the femme fatale cannot be perfectly translated into male terms.”
— Camille Paglia
“Mind is a captive of the body.”
— Camille Paglia
“Every man harbors an inner female territory ruled by his mother, from whom he can never entirely break free.”
— Camille Paglia
“Love for all means coldness to something or someone. Even Jesus, let us recall, was unnecessarily rude to his mother at Cana.”
— Camille Paglia
“Not until all babies are born from glass jars will the combat cease between mother and son.”
— Camille Paglia
“Every fetus becomes female unless it is steeped in male hormone, produced by a signal from the testes. Before birth, therefore, a male is already beyond the female. But to be beyond is to be exiled from the center of life. Men know they are sexual exiles. They wander the earth seeking satisfaction, craving and despising, never content. There is nothing in that anguished motion for women to envy.”
— Camille Paglia
“An erection is a thought and the orgasm an act of the imagination. The male has to will his sexual authority before the woman who is a shadow of his mother and of all women. Failure and humiliation constantly wait in the wings. No woman has to prove herself a woman in the grim way a man has to prove himself a man. He must perform, or the show does not go on. Social convention is irrelevant. A flop is a flop.”
— Camille Paglia
“Women have conceptualized less in history not because men have kept them from doing so but because women do not need to conceptualize in order to exist. […] Fetishism, for instance, a practice which like most of the sex perversions is confined to men, is clearly a conceptualizing or symbol-making activity. Man’s vastly greater commercial patronage of pornography is analogous.”
— Camille Paglia
“The female body’s unbearable hiddenness applies to all aspects men’s dealings with women. What does it look like in there? Did she have an orgasm? Is it really my child? Who was my real father? Mystery surrounds women’s sexuality. This mystery is the main reason for the imprisonment man has imposed on women. Only by confining his wife in a locked harem guarded by eunuchs could he be certain that her son was also his.”
— Camille Paglia
“The reform of a college English department cuts no ice down at the corner garage.”
— Camille Paglia
“Every man must define his identity against his mother. If he does not, he just falls back into her and is swallowed up.”
— Camille Paglia
“Freud says, “Man fears that his strength will be taken from him by woman, dreads becoming infected with her femininity and then proving himself a weakling.” Masculinity must fight off effeminacy day by day. Woman and nature stand ever ready to reduce the male to boy and infant.”
— Camille Paglia
“Everything great in western culture has come from the quarrel with nature.”
— Camille Paglia
“Only utopian liberals could be surprised that the Nazis were art connoisseurs.”
— Camille Paglia
“The artist makes art not to save mankind but to save himself. Every benevolent comment by an artist is a fog to cover his tracks, the bloody trail of his assault against reality and others.”
— Camille Paglia
“Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature.”
— Camille Paglia
“The idea that emotion can be separated from sex is a Christian illusion, one of the most ingenious but finally unworkable strategies in Christianity’s ancient campaign against pagan nature.”
— Camille Paglia
“Marxism is a flight from the magic of the person and the mystique of hierarchy. It distorts the character of western culture, which is based on the charismatic power of person. Marxism can work only in pre-industrial societies of homogeneous populations. Raise the standard of living, and the rainbow riot of individualism will break out. Personality and art, which Marxism fears and censors, rebound from every effort to oppress them.”
— Camille Paglia
“Capitalism, gaudy and greedy, has been inherent in western aesthetics from ancient Egypt on. It is the mysticism and glamour of things, which take on a personality of their own. As an economic system, it is in the Darwinian line of Sade, not Rousseau.”
— Camille Paglia
“The capitalist distribution network, a complex chain of factory, transport, warehouse and retail outlet, is one of the greatest male accomplishments in the history of culture.”
— Camille Paglia
“One of feminism’s irritating reflexes is its fashionable disdain for “patriarchal society,” to which nothing good is ever attributed. But it is patriarchal society that has freed me as a woman. It is capitalism that has given me the leisure to sit at this desk writing this book. Let us stop being small-minded about men and freely acknowledge what treasures their obsessiveness has poured into culture.”
— Camille Paglia
“If civilization had been left in female hands, we would still be living in grass huts.”
— Camille Paglia
“Capitalism is an art form.”
— Camille Paglia
“A war still rages over the legacy of the 1960s.”
— Camille Paglia
“Not a shred of evidence supports the existence of matriarchy anywhere in the world at any time. [...] The matriarchy hypothesis, revived by American feminism, continues to flourish outside the university”
— Camille Paglia
“Male mastery in marriage is a social illusion, nurtured by women exhorting their creations to play and walk. At the emotional heart of every marriage is a pietà of mother and son.”
— Camille Paglia
“Art advances by self-mutilation of the artist.”
— Camille Paglia
“Nefertiti is like Athena born from the brow of Zeus, a head-heavy armored goddess. She is beautiful but desexed.”
— Camille Paglia
“A serious problem in America is the gap between academe and the mass media, which is our culture. Professors of humanities, with all their leftist fantasies, have little direct knowledge of American life and no impact whatever on public policy.”
— Camille Paglia
“Homeric mind is ingenuity, practical intelligence. There is no Rodin-like deep thinking, no mathematical or philosophical speculation. Odysseus thinks with his hands.”
— Camille Paglia
“At the opening of the Odyssey, Telemachus, inspired by the male-born Athena, searches for his father by turning against his mother. Jesus too publicly spurns his mother to be about his father’s business. Male adulthood begins with the breaking of female chains.”
— Camille Paglia
“Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.”
— Camille Paglia
“Male tumescence is an assertion of the separateness of objects. An erection is architectural, sky-pointing. Female tumescence, through blood or water, is slow, gravitational, amorphous. In the war for human identity, male tumescence is an instrument, female tumescence an obstruction. The fatty female body is a sponge. At peak menstrual and natal moments, it is locked passively in place, suffering wave after wave of Dionysian power.”
— Camille Paglia
“Women played no part in Athenian high culture. They could not vote, attend the theatre, or walk in the stoa talking philosophy. But the male orientation of Greek culture was inseparable of its genius. Athens became great not despite but because of its misogyny.”
— Camille Paglia
“Greek pederasty honored the erotic magnetism of male adolescence in a way that today brings police to the door. Children are more conscious and perverse than parents like to think.”
— Camille Paglia
“Visionary idealism is a male art form. The lesbian aesthete does not exist. But if there were one, she would have learned from the perverse male mind.”
— Camille Paglia
“Effeminate men have suffered a bad press the world over.”
— Camille Paglia
“Judaism’s campaign to make divinity invisible has never fully succeeded. Images are always eluding moral control, creating the brilliant western art tradition. Idolatry is fascism of the eye. The western eye will be served, with or without the consent of conscience.”
— Camille Paglia
“What is Mona Lisa thinking? Nothing, of course. Her blankness is her menace and our fear. [...] Walter Pater is to call her a 'vampire,' coasting through history on her secret tasks.”
— Camille Paglia
“Oil painting and color, said Michelangelo, are for “women and the lazy.” His sharp-edged Apollonian style is the only way to beat back mother nature.”
— Camille Paglia
“I cannot be convinced that great artists are moralists. Art is first appearances, then meaning.”
— Camille Paglia
“The Fairie Queene makes cinema out of the west's primary principle: to see is to know; to know is to control. The Spenserian eye cuts, wounds, rapes.”
— Camille Paglia
“Romanticism, like the Rousseauist Swinging Sixties, misunderstands the Dionysian as the pleasure principle, when it is in fact the gross continuum of pleasure-pain. Worshiping nature and seeking political and sexual freedom, Romanticism ends in imaginative entrammelment of every kind. Perfect freedom is intolerable and therefore impossible.”
— Camille Paglia
“Woman is the dominant sex. Men have to do all sorts of stuff to prove that they are worthy of woman's attention.”
— Camille Paglia
“We remain in the Romantic cycle initiated by Rousseau: liberal idealism canceled by violence, barbarism, disillusionment and cynicism.”
— Camille Paglia
“In Romanticism, unlike the Renaissance, Amazons retain their power. Rousseau wants it both ways. Idolizing women is natural and right, a cosmic law. On the other hand, male recessiveness is blamed on female coercion. Either way, sadomasochistic dominance and submission are inherent in Rousseausism from the start.”
— Camille Paglia
“Sade has barely made a dent on American academic consciousness. It is his violence far more than his sex which is so hard for liberals to accept. For Sade, sex violence. Violence is the authentic spirit of mother nature.”
— Camille Paglia
“Simply follow nature, Rousseau declares. Sade, laughing grimly, agrees.”
— Camille Paglia
“Video games and YouTube.com are creatively booming, even though Web design, as demonstrated by the ugly clutter of most major news sites, is in the pits.”
— Camille Paglia
“Serial or sex murder, like fetishism, is a perversion of male intelligence. It is a criminal abstraction, masculine in its deranged egoism and orderliness. It is the asocial equivalent of philosophy, mathematics and music.”
— Camille Paglia
“Every male copulating with a woman returns to his origins in the womb. Goethe postponed intercourse until he was forty. This must be related to his self-imposed distance from his forceful mother. To refuse phallic penetration is to refuse surrender to the female matrix.”
— Camille Paglia
“The Gothic tradition was begun by Ann Radcliffe, a rare example of a woman creating an artistic style.”
— Camille Paglia
“The thrill of terror is passive, masochistic, and implicitly feminine. It is imaginative submission to overwhelming superior force.”
— Camille Paglia
“Butchery is not the point of vampirism. Sex - domination and submission - is.”
— Camille Paglia
“Woman's flirtatious arts of self-concealment mean man's approach must take the form of rape.”
— Camille Paglia
“Personality maintains its discreetness by an act of will. Otherwise one person will flow helplessly into another.”
— Camille Paglia
“In 'A Room of One's Own', Virginia Woolf satirically describes her perplexity at the bulging card catalog of the British Museum: why, she asks, are there so many books written by men about women but none by women about men? The answer to her question is that from the beginning of time men have been struggling with the threat of woman's dominance.”
— Camille Paglia
“Younger women have no problem in reconciling beauty with ambitions as a professional woman.”
— Camille Paglia
“Tranvestism is far more common among men, I noted, because it originates in the primary relation of mother and son.”
— Camille Paglia
“Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self-love.”
— Camille Paglia
“The reason Wilde did his best work after turning homosexual is that women simply reinforced his own feminine sentimentality. … Heterosexuality inhibited his imagination because woman is physically and psychologically internal.”
— Camille Paglia
“All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!”
— Camille Paglia
“[Henry] James’s repressions and evasions are many, varied and exhausting. Why more people are not seen rushing shrieking from libraries, shredding James novels in their hands, I cannot say. I used to wonder whether enthusiasm for him was based on identification, since his passive, tentative heroes resemble many academics. Perhaps what is intolerable is his enshrinement in a soporific criticism. So much must be overlooked to crown him with laurel.”
— Camille Paglia
“Emily Dickinson is the female Sade, and her poems are the prison dreams of a self-incarcerated, sadomasochistic imaginist. When she is rescued from American Studies departments and juxtaposed with Dante and Baudelaire, her barbarities and diabolical acts of will become glaringly apparent. Dickinson inherits through Blake the rape cycle of . Blake and Spenser are her allies in helping pagan Coleridge defeat Protestant Wordsworth.”
— Camille Paglia
“It is no coincidence that while some major female artists have married, very few have borne children. The issue is not conservation of energy but imaginative integrity. Art is its own self-swelling, proof that the mind is greater than the body.”
— Camille Paglia
“The Dionysian is no picnic.”
— Camille Paglia
“In today's impoverished dialogue, critiques of liberalism are often naively called "conservative," as if twenty-five hundred years of Western intellectual tradition presented no other alternatives.”
— Camille Paglia
“All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!”
— Camille Paglia
“It's aggravating that Hollywood has never gotten credit for the role it played in promoting modern design.”
— Camille Paglia
“Professors of humanities, with all their leftist fantasies, have little direct knowledge of American life and no impact whatever on public policy.”
— Camille Paglia
“We do not need French post-structuralism, whose pedantic jargon, clumsy convolutions, and prissy abstractions have spread throughout academe and the arts and are now blighting the most promising minds of the next generation. This is a major crisis if there ever was one, and every sensible person must help bring it to an end.”
— Camille Paglia
“Academic Marxists, with their elitist sense of superiority to popular taste, are the biggest snobs in America.”
— Camille Paglia
“When in doubt, I read Oscar Wilde.”
— Camille Paglia
“Madonna won my undying loyalty by reviving and re-creating the hard glamour of the studio-era Hollywood movie queens, figures of mythological grandeur. Contemporary feminism cut itself off from history and bankrupted itself when it spun its paranoid fantasy of male oppressors and female sex-object victims. Woman is the dominant sex. Woman’s sexual glamour has bewitched and destroyed men since Delilah and Helen of Troy.”
— Camille Paglia
“For me, the Profumo affair symbolizes the evanescence of male government compared to women’s cosmic power.”
— Camille Paglia
“Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses woman's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all of men's relationships with women.”
— Camille Paglia
“Gay and straight men have much more in common than do gay men with lesbians or straight men with straight women. Every man must define his identity against his mother. If he does not, he he just falls back into her and is swallowed up. This is the agonizing myth-pattern in the comic, matricidal Psycho (1960), one of the hauntingly emblematic films of our time.”
— Camille Paglia
“Contemporary feminists, who are generally poor or narrowly trained scholars, insist on viewing history as a weepy scenario of male oppression and female victimization. But it is more accurate to see men, driven by sexual anxiety away from their mothers, forming group alliances by male bonding to create complex structures of society, art, science and technology.”
— Camille Paglia
“When women cut themselves off from men, they sink backward into psychological and spiritual stagnancy.”
— Camille Paglia
“In insisting, for political purposes, on a sharp division between gay and straight, gay activism, like much of feminism, has become as rigid and repressive as the old order it sought to replace.”
— Camille Paglia
“When feminism and gay activism set themselves against organized religion, they have the obligation to put something better in its place.”
— Camille Paglia
“The saints, many of them women, warred with themselves as well as God. The body has its own animal urges, just as there are attractions and repulsions in sex that modern liberalism cannot face.”
— Camille Paglia
“I think it is one of the greatest pictures ever taken of a woman.”
— Camille Paglia
“What troubles me about the “hostile workplace” category of sexual harassment policy is that women are being returned to their old status of delicate flowers who must be protected from assault by male lechers. It is anti-feminist to ask for special treatment for women.”
— Camille Paglia
“A woman simply is, but a man must become. Masculinity is risky and elusive. It is achieved by a revolt from woman, and is confirmed only by other men. Feminist fantasies about the ideal “sensitive” male have failed. Manhood coerced into sensitivity is no manhood at all.”
— Camille Paglia
“Minerva save us from the cloying syrup of coercive compassion! What feminism does not need, it seems to me, is an endless recycling of Doris Day Fifties clichés about noble womanhood.”
— Camille Paglia
“Feminism was always wrong to pretend that women could “have it all.” It is not male society but mother nature who lays the heaviest burden on woman. No husband or day care can adequately substitute for a mother’s attention. My feminist heroes are the boldly independent and childless Amelia Earhart and Katherine Hepburn, who has been outspoken in her opposition to the delusion of “having it all.””
— Camille Paglia
“[W]omen will never be taken seriously until they accept full responsibility for their sexuality.”
— Camille Paglia
“[T]here’s a lot to be said for celibacy, for the concentration of your mental and physical energy.”
— Camille Paglia
“My position on date rape is partly based on my study of : in 1590, the poet Edmund Spencer already sees that passive, drippy, naive women constantly get themselves into rape scenarios, while talented, intelligent, alert women, his warrior heroines, spot trouble coming and boldly trounce their male assailants. My feminism stresses courage, independence, self-reliance, and pride.”
— Camille Paglia
“Rape is an outrage that cannot be tolerated in a civilized society. Yet feminism, which has waged a crusade for rape to be taken more seriously, has put young women in danger by hiding the truth about sex from them.”
— Camille Paglia
“For a decade, feminists have drilled their disciples to say, “Rape is a crime of violence but not of sex.” This sugar-coated Shirley Temple nonsense has exposed young women to disaster. Misled by feminism, they do not expect rape from the nice boys from good homes who sit next to them in class.”
— Camille Paglia
“Feminism, coveting social power, is blind to women’s cosmic sexual power.”
— Camille Paglia
“Running to Mommy and Daddy on the campus grievance committee is unworthy of strong women.”
— Camille Paglia
“A male student makes vulgar remarks about your breasts? Don't slink off to whimper with the campus shrinking violets. Deal with it. On the spot. Say, "Shut up, you jerk! And crawl back to the barnyard where you belong!" In general, women who project this take-charge attitude towards life get harassed less often. I see too many dopey, immature, self-pitying young women walking around like melting sticks of butter.”
— Camille Paglia
“Beware of the manipulativeness of rich students who were neglected by their parents. They love to turn the campus into hysterical psychodramas of sexual transgression, followed by assertions of parental authority and concern. And don’t look for sexual enlightenment from academe, which spews out mountains of books but never looks at life directly.”
— Camille Paglia
“It’s these guys in the Ivy League schools who get used to obeying women. They’re sedentary guys. It’s ironic that you’re getting the biggest bitching about men from the schools where the men are just eunuchs and bookworms.”
— Camille Paglia
“I’ve watched therapy getting more and more mushy in the past fifteen years in America.... It’s become what I call coercive compassion. It’s disgusting, it’s condescending, it’s insulting, it’s coddling, it keeps everyone in an infantile condition rather than in the adult condition that was the ultimate goal of Freudian analysis.”
— Camille Paglia
“I feel that the moment a date happens that it’s a social encounter that is potentially a sexual encounter. And the question of sex needs to be negotiated from the first moment on.”
— Camille Paglia
“Men knew that if they devirginized a woman, they could end up dead within twenty-four hours. These controls have been removed.”
— Camille Paglia
“Feminism’s claim that it discovered rape is simply false.”
— Camille Paglia
“The truth is that Foucault knew very little about anything before the seventeenth century and, in the modern world, outside France. His familiarity with the literature and art of any period was negligible. His hostility to psychology made him incompetent to deal with sexuality, his own or anybody else’s. The elevation of Foucault to guru status by American and British academics is a tale that belongs to the history of cults.”
— Camille Paglia
“The more you know, the less you are impressed by Foucault.”
— Camille Paglia
“Many, perhaps most, very learned people prefer the company of their books to sitting in a crowd listening to history and art being mangled; furthermore, it is unlikely that the venerable scholars will stand up afterward to declare, “This lecture was a load of crap.” The more profound a professor’s distaste with the proceedings, the more likely he is to melt away at the end of the talk.”
— Camille Paglia
“Not since the Black Panthers sailed into their Upper East Side tea party has there been so daffy an exercise in radical chic.”
— Camille Paglia
“In 1974 I nearly got into a fistfight with some early academic feminists in a restaurant when I casually alluded to a hormonal element in sex differences. It was utterly unacceptable at that time to think or say such a thing. … If you have any doubts about the effect of hormones on emotion, libido and aggression, have a chat with a transexual, who must take hormones medically. He or she will set you straight.”
— Camille Paglia
“As a philosopher sympathetic to Foucault recently remarked to me, Foucault failed in each of his major inquiries and, in desperation, went further afield from his areas of expertise. The History of Sexuality is a disaster. Page after page is sheer fantasy, unsupported by the ancient or modern historical record.”
— Camille Paglia
“The born-yesterday French-besotted faddists, addicted sniffers of wet printer’s ink, think they’re starting on the ground floor; so they’re condemned to another hundred years of trial and error. The rest of us can safely ignore them.”
— Camille Paglia
“Sappho and Emily Dickinson are the only woman geniuses in poetic history.”
— Camille Paglia
“Woman is the dominant sex. Men have to do all sorts of stuff to prove that they are worthy of woman's attention.”
— Camille Paglia
“Feminism, in all fields, has yet to produce a single scholar of the intellectual rank of scores of these learned men [e.g., Bruno Snell, Albin Lesky, Denys Page in the German and British academic tradition.”
— Camille Paglia
“I am a passionate admire of Sappho, but that has to be one of the stupidest sentences I have ever seen in a scholarly book.”
— Camille Paglia
“In high school in the early Sixties, I dreamed of intellectual work by women that would match the highest male standards and set men on their ear. A lot of women have done a lot of academic work since then, but most of them fall short of that standard.”
— Camille Paglia
“Hollywood movies of the Fifties, like The Ten Commandments and Ben-Hur, with their epic clash of pagan and Judeo-Christian cultures, tell more about art and society than the French-infatuated ideologues who have made a travesty of the “best” American higher criticism.”
— Camille Paglia
“I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passe abstractions like beauty, nobility, and greatness have a shifting but continuing validity.”
— Camille Paglia
“The spiritual history of the Sixties has yet to be written.”
— Camille Paglia
“Lacan, Derrida and Foucault are the perfect prophets for the weak, anxious academic personality, trapped in verbal formulas and perennially defeated by circumstances. They offer a self-exculpating cosmic explanation for the normal professorial state of resentment, alienation, dithering passivity and inaction.”
— Camille Paglia
“Lacan is a tyrant who must be driven from our shores. Narrowly trained English professors who know nothing of art history or popular culture think they can just wade in with Lacan and trash everything in sight.”
— Camille Paglia
“I realize now how lucky I was, in the total absence of role models, to have only men to rebel against. Today's women students are meeting their oppressors in dangerously seductive new form, as successful congenial female professors who view themselves as victims of a rigid foreign ideology.”
— Camille Paglia
“The followers of Derrida are pathetic, snuffling in French pockets for bits of pieces of a deconstructive method already massively and coherently presented — and with a mature sense of the sacred — in Buddhism and Hinduism.”
— Camille Paglia
“The Sixties attempted a return to nature that ended in disaster.”
— Camille Paglia
“A woman simply is, but a man must become.”
— Camille Paglia
“Everyone of my generation who preached free love is responsible for AIDS.”
— Camille Paglia
“The Seventies theory explosion [i.e., Literary theory, deconstruction, etc.] was a panic reaction by headlocked pedants unable to cope with the emotional and sensory flux of the Sixties. It was a desperate search for new authority, new dogma.”
— Camille Paglia
“The smouldering eroticism of great European actresses like Jeanne Moreau demonstrated to my generations women's archetypal mystery and glamour, completely missing from the totalitarian world-view of the misogynist Foucault. For me, the big French D is not Derrida, but Deneuve.”
— Camille Paglia
“The junk-bond era has also spawned something that calls itself New Historicism. This seems to be a refuge for English majors without critical talent or broad learning in history or political science. [...] To practice it, you must apparently lack all historical sense.”
— Camille Paglia
“There is a constant rush to judgment in Foucault. He is filled with specious generalizations, false categories, distortions, fudging, pretenses to knowledge in areas where he was ignorant. He had no ability whatsoever to distinguish among historical sources, where he makes terrible blunders.”
— Camille Paglia
“Foucault is the Cagliostro of our time.”
— Camille Paglia
“The most serious flaw of Foucault's system is in the area of sex. I view his hurried, compulsive writing as a massive rationalist defense-formation to avoid thinking about (a) woman, (b) nature, (c) emotion, and (d) the sexual body. His attempt to make the body passive property of male society is an evasion of the universal fact so intolerable to him: that we are all born of human mothers. By turning women into ciphers, he miniaturizes and contains them.”
— Camille Paglia
“The post-war "publish or perish" tyranny must end. The profession has become obsessed with quantity rather than quality. [...] One brilliant article should outweigh one mediocre book.”
— Camille Paglia
“The piddling ignoramuses who deny that there is a distinct, discernible, objective western tradition are just woozy literati.”
— Camille Paglia
“Imperialism and slavery are no white male monopoly, but are everywhere from Egypt, Assyria, and Persia to India, China and Japan.”
— Camille Paglia
“Modernization means Westernization.”
— Camille Paglia
“Women's studies is institutionalized sexism.”
— Camille Paglia
“Women's studies is a comfy, chummy morass of unchallenged groupthink. It is, with rare exception, totally unscholarly. Academic feminists have silenced men and dissenting women.”
— Camille Paglia
“Women's studies needed a syllabus and so invented a canon overnight. It puffed up clunky, mundane contemporary women authors into Oz-like, skywriting dirigibles. Our best women students are being force-fed an appalling diet of cant, drivel and malarkey.”
— Camille Paglia
“American feminism’s nose dive began when Kate Millet, that imploding beanbag of poisonous self-pity, declared Freud a sexist. Trying to build a sex theory without studying Freud, women have made nothing but mud pies.”
— Camille Paglia
“Great women scholars like Jane Harrison and Gisela Richter were produced by the intellectual discipline of the masculine classical tradition, not the wishy-washy sentimentalism of clingy, all-forgiving sisterhood, from which no first-rate book has yet emerged. Every year, feminists provide more and more evidence for the old charge that women can neither think nor write.”
— Camille Paglia
“Academic Marxism is a fantasy world, and unctuous compassion-sweepstakes, into which real workers or peasants never penetrate.”
— Camille Paglia
“Women will never succeed at the level or in the numbers they deserve until they get over their genteel reluctance to take abuse in the attack and counterattack of territorial warfare. The recent trend in feminism, notably in sexual harassment policy, has been to overrely on regulation and legislation rather than to promote personal responsibility. Women must not become wards and supplicants of authority figures. Freedom means rejecting dependency.”
— Camille Paglia
“I admire hard-bitten, wisecracking realism of Ida Lupino and the film noir heroines. I’m sick of simpering white girls with their princess fantasies.”
— Camille Paglia
“The venerable emeritus professors still at Yale when I entered graduate school [in the 1960s] may have been reserved, puritanical WASPs, but they were men of honor who had given their lives to scholarship. Today in the elite schools, honor and ethics are gone.”
— Camille Paglia
“I do not believe in God, but I believe God is man’s greatest idea. Those incapable of religious feeling or those (like hard-core gay activists) who profane sacred ground do not have the imagination to educate the young. … Until the left comes to its senses about the cultural power of religion, the right will continue to broaden its appeal.”
— Camille Paglia
“Is there intellectual life in America? At present, the answer is no.”
— Camille Paglia
“I hate dogma in any form. I hated it in the Catholic Church and Girl Scout troops of the 1950s, and I hate in in gay activism and established feminism today.”
— Camille Paglia
“Even the most morbid of the rape ranters have a childlike faith in the perfectibility of the universe, which they see as blighted solely by nasty men. They simplistically project outward onto a mythical "patriarchy" their own inner conflicts and moral ambiguities.”
— Camille Paglia
“What feminism calls patriarchy is simply civilization, an abstract system designed by men but augmented and now co-owned by women.”
— Camille Paglia
“Women are not in control of their bodies; nature is. Ancient mythology, with its sinister archetypes of vampire and Gorgon, is more accurate than feminism about the power and terror of female sexuality.”
— Camille Paglia
“I say the law should be blind to race, gender and sexual orientation, just as it claims to be blind to wealth and power. There should be no specially protected groups of any kind, except for children, the severely disabled and the elderly, whose physical frailty demands society's care.”
— Camille Paglia
“Man has traditionally ruled the social sphere; feminism tells him to move over and share his power. But woman rules the sexual and emotional sphere, and there she has no rival. Victim ideology, a caricature of social history, blocks women from recognition of their dominance in the deepest, most important realm.”
— Camille Paglia
“All men — even, I have written, Jesus Christ — began as flecks of tissue inside a woman's womb. Every boy must stagger out of the shadow of a mother goddess, whom he never fully escapes.”
— Camille Paglia
“The dishonesty and speciousness of the feminist rape analysis are demonstrated by its failure to explore, or even mention, man-on-man sex crimes. If rape were really just a process of intimidation of women by men, why do men rape and kill other men? The deceptively demure persona of the soft-spoken, homosexual serial-murderer Jeffrey Dahmer, like that of the handsome, charming Ted Bundy, should warn everyone that we still live in a sexual jungle.”
— Camille Paglia
“When feminist discourse is unable to discriminate the drunken fraternity brother from the homicidal maniac, women are in trouble.”
— Camille Paglia
“Following the sexual revolution of the Sixties, dating has become a form of Russian roulette. Some girls have traditional religious values and mean to remain virgins until marriage. Others are leery of AIDS, unsure of what they want, but can be convinced. For others, anything goes: they’ll jump into bed on the first date. What’s a guy to do?”
— Camille Paglia
“As a teacher, I have seen time and again a certain kind of American middle-class girl who projects winsome malleability, a soft, unfocused help-me-please persona that, in adult life, is a recipe for disaster. These are the ones who end up with a string of abusive boyfriends or in sticky situations with overfamiliar male authority figures who call them “honey.””
— Camille Paglia
“Shocked disbelief greets suggestions that many women may take pleasure in rape fantasies, established long ago by Nancy Friday in her pioneering 1973 study, , and dramatized today by the staggering mass-market popularity of Harlequin Romances, where heroines are overwhelmed by passionate, impetuous men.”
— Camille Paglia
“Patriarchy, routinely blamed for everything, produced the birth control pill, which did more to free contemporary women than feminism itself.”
— Camille Paglia
“With their propagandistic frame of mind, feminist leaders never admitted that their opponents could be equally motivated by ethics.”
— Camille Paglia
“Feminists had an astoundingly naive view of the mutual exclusiveness of sex and aggression, which, Freud demonstrates, are fused in the amoral unconscious, as revealed to us through dreams. That rape is simply what used to be called “unbridled lust,” like gluttony a sin of insufficient self-restraint, seems to be beyond the feminist ken.”
— Camille Paglia
“We cannot have a world where everyone is a victim. "I'm this way because my father made me this way. I'm this way because my husband made me this way." Yes, we are indeed formed by traumas that happen to us. But then you must take charge, you must take over, you are responsible.”
— Camille Paglia
“The polemical tactic of exhibiting garish mugshot photos of women’s bruised faces evades the real issue. What led up to that moment in the emergency room? A video camera recording episode before and after the assault would upset the received black-and-white view of male ogres and female martyrs. This is not to excuse men for their scurrilous behavior; it is to awaken women their equal responsibility in dispute and confrontation.”
— Camille Paglia
“Men have sacrificed and crippled themselves physically and emotionally to feed, house, and protect women and children. None of their pain or achievement is registered in feminist rhetoric, which portrays men as oppressive and callous exploiters.”
— Camille Paglia
“Any woman who stays with her abuser beyond the first incident is complicitous with him.”
— Camille Paglia
“In pondering why a battered woman does not leave, we must remember that gay men with a taste for violent “rough trade” have always paid for this kind of sex. Are women so perfect and angelic that we cannot imagine them having sadomasochistic impulses? When they are genuinely victimized, women deserve our pity. But victimization alone cannot explain everything in the tragicomedy of love.”
— Camille Paglia
“Much violence against women originates in emotional territory that they already command. By midlife and early old age, as the hormones of both genders change, women are in total, despotic control of their marriages.”
— Camille Paglia
“[W]earisome as it may seem, women must realize that, in making a commitment to a man, they have merged in his unconscious with his mother and have therefore inherited the ambivalence of that relationship.”
— Camille Paglia
“The [sexual harassment] situation has gotten so out of hand that, in 1993, in one of the first British cases, a plumber was fired for continuing to use the traditional term "ballcock" for the toilet flotation unit, instead of the new politically correct term, sanitized of sexual suggestiveness. This is insane. We are back to the Victorian era, when table legs had to be draped lest they put the thought of ladies' legs into someone's dirty mind.”
— Camille Paglia
“Campus speech codes, that folly of the navel-gazing left, have increased the appeal of the right. Ideas must confront ideas. When hurt feelings and bruised egos are more important than the unfettered life of the mind, the universities have committed suicide.”
— Camille Paglia
“Woman's sexuality is disruptive of the dully mechanical workaday world, in which efficiency means uniformity. The problems of woman's entrance into the career system spring from more than male chauvinism. She brings nature into the social realm, which may be too small to contain it.”
— Camille Paglia
“My prescription for women entering the war zone of the professions: study football. . . . Women who want to remake the future should look for guidance not to substitute parent figures but to the brash assertions of pagan sport.”
— Camille Paglia
“Men, gay or straight, can get beauty and lewdness into one image. Women are forever softening, censoring, politicizing.”
— Camille Paglia
“Idiotic statements like “porn degrades women” or “pornography is the subordination of women” are only credible if you never look at pornography. Preachers, senators and feminist zealots carry on about material they have no direct contact with. They usually rely on a few selectively culled inflammatory examples that bear little resemblance to the porn market as a whole. Most pornography shows women in as many dominant as subordinate positions, with the latter usually steamily consensual.”
— Camille Paglia
“Despite hundreds of studies, cause-and-effect relationship between pornography and violence has never been satisfactorily proved.”
— Camille Paglia
“Feminist anti-porn discourse virtually always ignores the gigantic gay male porn industry, since any mention of the latter would bring crashing to the ground the absurd argument that pornography is by definition the subordination of women.”
— Camille Paglia
“Far from poisoning the mind, pornography shows the deepest truth about sexuality, stripped of romantic veneer.”
— Camille Paglia
“The gargantuan promiscuity of the Seventies gay male world was a pagan phenomenon, unequaled in scale since the Roman empire.”
— Camille Paglia
“I believe that the shocking toll of AIDS on gay men in the West was partly due to their Seventies delusionism that a world without women was possible. All-male energies, unbalanced and ravenous, literally tore the body apart.”
— Camille Paglia
“Every man must define his identity against his mother. If he does not, he just falls back into her and is swallowed up.”
— Camille Paglia
“Pornography is art, sometimes harmonious, sometimes dissonant. Its glut and glitter are a Babylonian excess. Modern middle-class women cannot bear the thought that their hard-won professional achievements can be outweighed in an instant by a young hussy flashing a little tits and ass. But the gods have given her power, and we must welcome it. Pornography forces a radical reassessment of sexual value, nature’s bequest of our tarnished treasure.”
— Camille Paglia
“There is no gay leader anywhere near the stature of Martin Luther King, because black activism drew on the profound spiritual tradition of the church, to which gay political rhetoric is childishly hostile.”
— Camille Paglia
“I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passe abstractions like beauty, nobility, and greatness have a shifting but continuing validity.”
— Camille Paglia
“No one is “born gay.” The idea is ridiculous, but it is symptomatic of our overpoliticized climate that such assertions are given instant credence by gay activists and their media partisans. I think what gay men are remembering is that they were born different.”
— Camille Paglia
“When I meet gay men anywhere in the world, there is a spontaneity and a spirit of fun and mischief that lesbians seem incapable of.”
— Camille Paglia
“Men who shrink from penetration of the female body are paralyzed by justifiable apprehension, since they are returning to our uncanny site of origin.”
— Camille Paglia
“It is not male hatred of women but male fear of women that is the great universal.”
— Camille Paglia
“Lesbian feminists, for all their ideals of sisterhood and solidarity, can treat each other with a fickleness, a parasitic exploitativeness, and vicious spite that have to be seen to be believed.”
— Camille Paglia
“One of the most startling discoveries of my career was when I realized that the strongest women in the world are not lesbians but heterosexual women, who know how to handle men.”
— Camille Paglia
“The real butches are straight … dealing with and controlling men makes you stronger.”
— Camille Paglia
“I want to cry out to these young girls: Stop! Think! . . . For heaven's sake, don't fall down the rabbit hole of the lesbian scene. You will never escape, and your talent will wither on the vine. Your energy will be wasted and absorbed in repetition without progression. Women alone are Spenser's Bower of Bliss, enclosed, comfortable, and dangerous.”
— Camille Paglia
“Because boys lack a biological marker like menstruation, to be man is to be not female. Contemporary feminism called this "misogyny," but it was wrong. Masculine identity is embattled and fragile. In the absence of opportunity for heroic physical action, as in the modern office world, women's goodwill is crucial for preserving the male ego, which requires, alas, daily maintenance. It is in the best interests of the human race, and of women themselves, for men to be strong.”
— Camille Paglia
“The unhappy truth is that male homosexuality will never be fully accepted by the heterosexual majority, who are obeying the dictates not of bigoted society or religion but of procreative nature.”
— Camille Paglia
“It would be ridiculous to claim that gay men are interested only on other gay men and would never ogle straight men in barracks showers. When I heard this one on TV, I burst out laughing. Anyone who belongs to a health club knows better. Sexual tension and appraisal are constants, above all among gay men, who never stop cruising everything in sight. Seduction of straight studs is a highly erotic motif in gay porn.”
— Camille Paglia
“Middle-class men, neutered by office life and daunted by feminist rhetoric, are shrinking. Lesbianism is increasing, since anxious, unmasculine men have little to offer. Women are simply more interesting to them. Male homosexuality is increasing, because masculinity is in crisis and because maternal consciousness, severed from the support network of the extended family, has become a psychotic system, forcing the young to struggle for life against clinging personal fantasy.”
— Camille Paglia
“A pagan education would sharpen the mind, steel the will, and seduce the senses. Our philosophy should be both contemplative and pugilistic, admitting aggression (as Christianity does not) as central to our mythology. The beasts of passion must be confronted, and the laws of nature understood. Conflict cannot be avoided, but perhaps it can be confined to a mental theater.”
— Camille Paglia
“Manhood coerced into sensitivity is no manhood at all.”
— Camille Paglia
“My own proposals for reform [in academia] include the abolition of all literary conferences and the replacement of women's studies with sex studies, based on the rigorous study of world history, anthropology, psychology, and science. Today, in politically correct America, questions of quality, learning, and intellectual distinction are out of style.”
— Camille Paglia
“MacKinnon is a totalitarian. She wants a risk-free, state controlled world. She believes rules and regulations will solve every human ill and straighten out all those irksome problems between the sexes that have been going on for five thousand years. As a lawyer, MacKinnon is deft and pragmatic. But as a political thinker, cultural historian or commentator on sex, she is incompetent. For a woman of her obvious intelligence, her frame of reference is shockingly small.”
— Camille Paglia
“Pornography does not cause rape or violence, which predate pornography by thousands of years. Rape and violence occur not because of patriarchal conditioning but because of the opposite, a breakdown of social controls.”
— Camille Paglia
“The instant myth of Amy Fisher turned feminist dogma on on is head: as in the hit films Fatal Attraction, Basic Instinct, and The Hand That Rocks the Cradle, woman rules and destroys. The femme fatale is for real.”
— Camille Paglia
“[Feminism] is alienating women from their own bodies … because they don’t understand that they have something that men want, okay? So they’re encouraged to interpret all male lust as oppressive and victimizing and negative, instead of seeing that it is up to them to husband this flame. They have a flame, and it’s enormously powerful…”
— Camille Paglia
“Our feminist culture at the present moment is completely dependent on capitalism. My grandmother was still scrubbing clothes on the back porch on a washboard!”
— Camille Paglia
“I’m saying that men go from control by their mothers to control by their wives, and this is the horror of men’s lives. And feminism refuses to see this.”
— Camille Paglia
“Men have sacrificed and crippled themselves physically and emotionally to feed, house, and protect women and children. None of their pain or achievement is registered in feminist rhetoric, which portrays men as oppressive and callous exploiters.”
— Camille Paglia
“Feminism, for all its boasts, has not found a single major female painter or sculptor to add to the canon. It did revive the reputations of many minor women, like Frida Kahlo or Romaine Brooks. Mary Cassatt, Georgia O'Keeffe, and Helen Frankenthaler were already known and did not need rediscovery. Artemisia Gentileschi was simply a polished, competent painter in a Baroque style created by men.”
— Camille Paglia
“We have allowed the sexual debate to be defined by women, and that's not right. Men must speak, and speak in their own voices, not voices coerced by feminist moralists.”
— Camille Paglia
“The women's movement is rooted in the belief that we don't even need men. All it will take is one natural disaster to prove how wrong that is. Then, the only thing holding this culture together will be masculine men of the working class. The cultural elite — women and men — will be pleading for the plumbers and the construction workers. We are such a parasitic class.”
— Camille Paglia
“At Bennington, I would go to a faculty meeting and be aware that everyone hated me. The men were appalled by a strong, loud woman. But I went to this auto shop and the men there thought I was cute. "Oh, there's that Professor Paglia from the college." The real men, men who work on cars, find me cute. They are not frightened by me, no matter how loud I am. But the men at the college were terrified because they are eunuchs, and I threatened every goddamned one of them.”
— Camille Paglia
“I have lesbian impulses, so I understand how a man looks at a woman. … When I was growing up, it wasn't possible for me to do anything about my attraction to women. Lesbianism didn't exist in that time, as far as I knew.”
— Camille Paglia
“Most people aren't sure what's going to happen on a first date. Given that ambiguity, every woman must be totally aware at every moment that she is responsible for every choice she makes. … protect yourselves. See trouble coming.”
— Camille Paglia
“My point is that you cannot force social change at a speed that it cannot go. Social change is evolutionary, not revolutionary. Deep social change takes time. And slowly the culture is changing. The MTV generation is far more tolerant, and that tolerance is growing.”
— Camille Paglia
“Clinton is in trouble and she (Joycelyn Elders) opens her mouth about masturbation. Can't she control herself? She was in the wrong job. In some ways she's like me — she says what she thinks. But then you shouldn't be part of politics. I would like Joycelyn Elders to be in a position to speak her mind and not worry about political consequences. You cannot have a nondiplomatic figure in a political appointment.”
— Camille Paglia
“Millions of kids are being maimed right now on Ritalin. I would have been given Ritalin. And there would have been no Sexual Personae, no nothing. We are castrating a whole generation of kids.”
— Camille Paglia
“The only problem I have with computers and television is that when all cultures on earth reach the stage we are at it will lead to a kind of homogenization.”
— Camille Paglia
“In the real world, very smart people fail and mediocre people rise. Part of what makes people fail or succeed are skills that have nothing to do with IQ. Also, the idea that intelligence can be gauged by an IQ test is erroneous.”
— Camille Paglia
“I am reverential to great stars. I don't want sexual congress with them. The writer in me reveres the artist in them.”
— Camille Paglia
“He was a revealing symbol. He called himself passive-aggressive. There was self-pity, whining. There was a diminishment, a diminution. He was sitting there in his sweater, hunched over his guitar, looking like a little lost boy. Compare that with the great figures of my generation: Jimi Hendrix. Pete Townshend. Keith Richards.”
— Camille Paglia
“I like Liz Phair, but there were these stupid women reviewers who said she's surpassing the Stones. Dream on.”
— Camille Paglia
“I had crushes on women — actually I loved charismatic, extreme people, women or men. By high school I was saying I must be a lesbian, because if you are attracted to women, you're a lesbian. I was also attracted to men, but I didn't get along with men.”
— Camille Paglia
“I think intellectuals should be fascinated by my rise, what it reveals about the time. My critics are irrelevant, though. It tells how much I'm getting to them by how vitriolic they are. They refuse to deal with the ideas. But reviews don't reflect anything; the books are selling. A friend told me, "The attacks make you."”
— Camille Paglia
“I am popular with certain people, but I'm still blocked out of the establishment. I hate that incestuous world. It makes me sick. It's impossible for anything truly original to get done. Thinking is not allowed. It's all PC. It is so horrible because it is a fossilized, parasitic version of Sixties philosophy.”
— Camille Paglia
“The computer, with its multiplying forums for spontaneous free expression from e-mail to listservs and blogs, has increased facility and fluency of language but degraded sensitivity to the individual word and reduced respect for organized argument, the process of deductive reasoning. The jump and jitter of us commercial television have demonstrably reduced attention span in the young.”
— Camille Paglia
“In a media age where books are no longer the primary medium for information storage and exchange, language must be reclaimed from the hucksters and the pedants and imaginatively reinforced. To save literature, educators must take command of the pre-rational world of images. The only antidote to the magic of images is the magic of words.”
— Camille Paglia
“How is it possible that today's academic Left has supported rather than protested campus speech codes as well as the grotesque surveillance and over-regulation of student life? American colleges have abandoned their educational mission and become government colonies, ruled by officious bureaucrats enforcing federal dictates. This despotic imperialism has no place in a modern democracy.”
— Camille Paglia
“I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passe abstractions like beauty, nobility, and greatness have a shifting but continuing validity.”
— Camille Paglia
“It is capitalist America that produced the modern independent woman. Never in history have women had more freedom of choice in regard to dress, behavior, career, and sexual orientation.”
— Camille Paglia
“It was intended to please no one and to offend everyone. The entire process of the book was to discover the repressed elements of contemporary culture, whatever they are, and palpate them. One of the main premises was to demonstrate that pornography is everywhere in major art. Art history as written is completely sex free, repressive and puritanical. I want precision and historical knowledge, but at the same time, I try to zap it with pornographic intensity.”
— Camille Paglia
“Men are run ragged by female sexuality all their lives. From the beginning of his life to the end, no man ever fully commands any woman. It's an illusion. Men are pussy-whipped. And they know it. That's what the strip clubs are about; not woman as victim, not woman as slave, but woman as goddess.”
— Camille Paglia
“The only antidote to the magic of images is the magic of words.”
— Camille Paglia
“Leaving sex to the feminists is like letting your dog vacation at the taxidermist.”
— Camille Paglia
“Let's get rid of Infirmary Feminism, with its bedlam of bellyachers, anorexics, bulimics, depressives, rape victims, and incest survivors. Feminism has become a catch-all vegetable drawer where bunches of clingy sob sisters can store their moldy neuroses.”
— Camille Paglia
“She is a brittle, relentless manipulator with few stable core values who shuffles through useful personalities like a card shark ("Cue the tears!"). Forget all her little gold crosses: Hillary's real god is political expediency. Do Americans truly want this hard-bitten Machiavellian back in the White House? Day one will just be more of the same.”
— Camille Paglia
“Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.”
— Camille Paglia
“Sexual Personae seeks to demonstrate the unity and continuity of western culture — something that has inspired little belief since the period before World War I.”
— Camille Paglia
“My stress on the truth in sexual stereotypes and on the biologic basis of sex differences is sure to cause controversy.”
— Camille Paglia
“In the beginning was nature. The background from which and against our ideas of God were formed, nature remains the supreme moral problem. We cannot hope to understand sex and gender until we clarify our attitude toward nature. Sex is a subset to nature. Sex is the natural in man.”
— Camille Paglia
“Society is a system of inherited forms reducing our humiliating passivity to nature. We may alter these forms, slowly or suddenly, but no change in society will change nature.”
— Camille Paglia
“My generation of bossy, confident, baby-boom women were something brand new in history. Our energy and assertiveness weren't created by Betty Friedan, unknown before her 1963 book, or by Gloria Steinem, whose political activism, as even the Lifetime profile admitted, did not begin until 1969.”
— Camille Paglia
“Human life began in flight and fear. Religion rose from rituals of propitiation, spells to lull the punishing elements.”
— Camille Paglia
“Sexuality and eroticism are the intricate intersection of nature and culture. Feminists grossly oversimplify the problem of sex when they reduce it a matter of social convention: readjust society, eliminate sexual inequality, purify sex roles, and happiness and harmony will reign. Here feminism, like all liberal movements of the past two hundred years, is heir to Rousseau.”
— Camille Paglia
“Feminism has exceeded its proper mission of seeking political equality for women and has ended by rejecting contingency, that is, human limitation by nature or fate.”
— Camille Paglia
“Sexual freedom, sexual liberation. A modern delusion. We are hierarchical animals. Sweep one hierarchy away, and another will take its place, perhaps less palatable than the first.”
— Camille Paglia
“Modern liberalism suffers unresolved contradictions. It exalts individualism and freedom and, on its radical wing, condemns social orders as oppressive. On the other hand, it expects governments to provide materially for all, a feat manageable only by an expansion of authority and a swollen bureaucracy. In other words, liberalism defines government as tyrant father but demands it behave as nurturant mother. Feminism has inherited these contradictions.”
— Camille Paglia
“The search for freedom through sex is doomed to failure.”
— Camille Paglia
“The moral ambivalence of the great mother goddesses has been conveniently forgotten by those American feminists who have resurrected them. We cannot grasp nature's bare blade without shedding our own blood.”
— Camille Paglia
“I believe that history has shape, order, and meaning; that exceptional men, as much as economic forces, produce change; and that passe abstractions like beauty, nobility, and greatness have a shifting but continuing validity.”
— Camille Paglia
“Western culture from the start has swerved from femaleness. The last western society to worship female powers was Minoan Crete. And significantly, that fell and did not rise again.”
— Camille Paglia
“Judaism, Christianity’s parent sect, is the most powerful of protests against nature. The Old Testament asserts that a father god made nature and that the differentiation into objects and gender was after the fact of his maleness. Judeo-Christianity, like Greek worship of the Olympian gods, is a sky-cult. It is an advanced stage in the history of religion, which everywhere began as earth-cult, veneration of fruitful nature.”
— Camille Paglia
“The evolution of earth-cult to sky-cult shifts woman into the nether realm. Her mysterious procreative powers and the resemblance of her rounded breasts, belly, and hips to earth’s contours put her at the center of early symbolism. She was the model for the Great Mother figures who crowded the birth of religion worldwide. But the mother cults did not mean freedom for women. On the contrary […] cult objects are prisoners of their own symbolic inflation. Every totem lives in taboo.”
— Camille Paglia
“The female body is a chthonian machine, indifferent to the spirit who inhabits it.”
— Camille Paglia
“We have an evolutionary revulsion from slime, the site of our biologic origins. Every month, it is woman's fate to face the abyss of time and being, the abyss which is herself.”
— Camille Paglia
“It is capitalist America that produced the modern independent woman. Never in history have women had more freedom of choice in regard to dress, behavior, career, and sexual orientation.”
— Camille Paglia
“The Bible has come under fire for making woman the fall guy in man's cosmic drama. But in casting a male conspirator, the serpent, as God's enemy, Genesis hedges and does not take its misogyny far enough. The Bible defensively swerves from God's true opponent, chthonian nature.”
— Camille Paglia
“The Devil is a woman.”
— Camille Paglia
“Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth.”
— Camille Paglia
“In every premenstrual woman struggling to govern her temper, sky-cult wars again with earth-cult.”
— Camille Paglia
“Most of western culture is a distortion of reality. But reality should be distorted; that is, imaginatively amended. The Buddhist acquiescence to nature is neither accurate about nature nor just to human potential.”
— Camille Paglia
“Metaphorically, every vagina has secret teeth, for the male exits as less than when he entered. The basic mechanics of conception require action in the male but nothing more than passive receptivity in the female.”
— Camille Paglia
“Repression is an evolutionary adaptation permitting us to function under the burden of our expanded consciousness. For what we are conscious of could drive us mad.”
— Camille Paglia