Michael Bérubé

“Sokal was right to warn us that a certain kind of skepticism toward science could allow for a meeting of the minds between postmodernists and Creationists but was wrong to imagine that such a skepticism need necessarily flow from an attitude of epistemological relativism: as David Albert pointed out, the epistemological and political ducks just don’t always line up that way.”

“Global capitalism doesn’t necessarily entail a global citizenry dedicated to relentless, free-ranging inquiry; sometimes the two can be positively antithetical — as they are in China, where multinational businesses have little sympathy for demonstrating students or organizing workers.”

“One signal virtue of teaching undergraduates, then, is that it serves as a powerful reminder that pedagogy should be understood as a means of dissemination rather than a means of reproduction, even — or especially — on those bad days when you are teaching only to the six.”

“In an important sense, then, the discourse of affiliation is both more and less pernicious than the discourse of professionalism. For the problem with the rhetoric of professionalism, as it pertains to professors of English, is that the conditions of employment in the humanities are not professional enough; we see ourselves as analogous to doctors and attorneys but have no professional apparatus comparable to the AMA or ABA and accordingly far less control over our working conditions.”

“We sometimes play the blues, too, but we don’t talk about which blues club or which blues tradition we’re “affiliated with.” Who knows? Maybe if there were fewer academic workers caught up in the mechanisms of disciplinary and institutional snobbery, we could start thinking about what it means to be a member of a musicians’ union or a players’ union. And then maybe, when we got the workplace blues, we could get together and work it on out.”

“The paradox is that university life can be both terrific and troubling for parents and children alike: the workplace environment is casual and accommodating on the one hand and clueless and hostile on the other. Usually all at the same time.”

“The rules for literary analysis are the same rules in play for any kind of analysis: mastery of the material. Cogency of supporting evidence. Ability to imagine and rebut salient counterarguments. Extra points for wit and style, points off for mind-numbing clichés, and permanent suspension for borrowing someone else’s argument without proper attribution.”