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Cherrie Moraga
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Cherrie Moraga

writer, poet, playwright

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1952

Cherríe L. Moraga is an influential Chicana feminist writer, activist, poet, essayist, and playwright. A prominent figure in Chicana literature and feminist theory, Moraga's work explores the intersections of gender, sexuality, race, and class, with particular emphasis on the experiences of Chicana and Indigenous women. She currently serves as Distinguished Professor in the Department of English at the University of California, Santa Barbara.

All Quotes by Cherrie Moraga

“In 1984, I turned to theater in the hopes of finding a more direct form of communication between me and my people.”
— Cherrie Moraga
“In 1984, I turned to theater in the hopes of finding a more direct form of communication between me and my people.”
— Cherrie Moraga
“Both my essays and plays attempt to explore a political question or contradiction through the mind or the heart. By that I mean, both genres require analysis and a heart-felt honesty. But the essay is fundamentally one-voiced perspective, my own…”
— Cherrie Moraga
“After publishing Loving in the War Years (1983) which was very autobiographical, my own story had finally been told on the page. This allowed space within me for character (some one other than myself to enter) my unconscious…”
— Cherrie Moraga
“…It’s more that the conventionality of the model makes it a domesticized view of desire and also that really what we want is the same things as heterosexuals: the nuclear family, marriage; all of these components which from a feminist perspective we’ve already critiqued. Not every lesbian is a feminist, but if every lesbian were a feminist they shouldn’t want this either, because it really contradicts a whole movement that critiqued the nuclear family and the hierarchy of the nuclear family…”
— Cherrie Moraga
“I don’t think femme-butch categories necessarily reproduce male-female gender relations and stereotypes about lesbians. I’m not sure Medea really thinks this either, but she does get angry at Luna when she perceives her as trying to act like a man and then resents Luna when she does not assume the power of a man. In other words, she is confused and a realistic, frightened character, afraid of losing her son and her land forever.”
— Cherrie Moraga
“Class, I think its class above all else. Because the way class operates in this country is related to race. What I have noticed is that when white women and white lesbians relate to women of color what they’re really sort of connecting with is that they’re middle class. What really divides queer people in general not just lesbians is class. If you look at working class lesbians, including white women, that’s a really different world…”
— Cherrie Moraga