All Quotes by Ethan Hawke
“The biggest problem in my life is trying to be the kind of man that I want to be, the father that I want to be, and how to process the failure of my marriage.”
“I met a lot of famous people when I was about 24. And none of them seemed very appealing. And so I didn't know why I would struggle to be that kind of person.”
“I think that as soon as you think of yourself as a famous person or anything like that, you're objectifying yourself in some weird way.”
“I'd be lying if I said I had confidence in every choice I've made, that I have faith in every film I do on every shot.”
“A lot of American actors when they do Shakespeare put on a phoney English accent and it drives me crazy. You're always fighting against the idea that only the British know how to do Shakespeare.”
“People love actors. They love reading about them and thinking about their lives. But they also secretly hate them. They think their lives are frivolous and all they do is go to parties, and they don't know real problems... There's something at the root of our love-hate relationship with celebrity that I think has the makings, if you could do it in a really substantive way, of a great modern American novel.”
“All that stuff with the tabloids is a kind of luxury tax I pay for all the good things I do in my life.”
“People look at your life and see things as a big deal that aren't a big deal to you. What I mean is, the chapter breaks are different for me. I'll read about my divorce, and what people think about it, and, well, it's so inaccurate, usually, but the fact is, I wouldn't want it to be accurate. Because it's my truth. When I was younger, it was more important to me to come off well. Now, I just want to try to be good at what I do.”
“...But the truth is, I've never wanted to be a movie star - and I've been pretty clear about that.”
“What I love about Celine, what I felt really proud about that script, is that she's really a fully dimensional woman. It's very rare in movies that you don't see a male projection of a fantasy woman. I mean, Julie deserves 90% of the credit, 100% of the credit, but I feel proud of the collaboration that created that character. Her work in that movie is my favorite thing about it.”
“The older you get, the humbler you get. I know I don't have that much to offer, and I know I've now read Moby Dick and Anna Karenina, and if I had read those books before I wrote The Hottest State, I don't think I'd have published it. I had the arrogance of the uneducated, which sometimes you need.”
“In grade school they say you have to pick a profession and stick to it... and people stop looking at their lives as a work in progress. If you don't stay in touch with yourself, you kind of lose focus. If you're going to spend a life in the arts, you need to be infused with a sense of gratitude and a sense of wonder. It's a privilege to do this profession. But there is a payment you have to make for that privilege, which is to do your best all the time.”
“We live in a funny time. If you don’t go corporate, you can’t compete. You’re relegated as irrelevant. People used to admire that. There used to be something badassed and poetic about it.”
“I don't understand the world. I don't understand why some people have to suffer so much and others don't. I don't understand the unfairness of all that - I can't wrap my brain around it. Seems like it should be the opposite, like global warming should make Haiti discover that they have the secret plant that makes them all rich, because they've suffered enough, those people.”
“When I was younger I really admired people like Warren Beatty who could do one movie every four years. I thought I could do all that: run a theatre company, write a book, make the occasional movie. But life doesn’t work like that, or at least it only does for one or two people every generation. Usually, there’s a little give and take, you know. It took me a long time to realise that I didn’t understand things as well as I thought I did.”
“At every turn, when humanity is asked the question, 'Do you want temporary economic gain or long-term environmental loss, which one do you prefer,' we invariably choose the money.”