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Daniel Levitin

psychologist, music journalist, record producer, composer, journalist, neuroscientist, neurologist

1957

Daniel Joseph Levitin, FRSC is an American-Canadian polymath, cognitive psychologist, neuroscientist, writer, musician, and record producer. He is the author of four New York Times best-selling books, including This Is Your Brain on Music: The Science of a Human Obsession, which has sold more than 1½ million copies.

All Quotes by Daniel Levitin

“One hundred years from now Beatles songs may be so well known that every child will learn them as nursery rhymes, and most people will have forgotten who wrote them. They will have become sufficiently entrenched in popular culture that it will seem as if they've always existed, like Oh Susannah, This Land Is Your Land, and Frère Jacques.”
— Daniel Levitin
“Music changed more between 1963 and 1969 than it has in the 37 years since, with the Beatles among the architects of that change.”
— Daniel Levitin
“Music moves us because it serves as a metaphor for emotional life. It has peaks and valleys of tension and release. It mimics the dynamics of our emotional life.”
— Daniel Levitin
“Studies of violin players by Thomas Elbert have shown that the region of the brain responsible for moving the left hand... increases in size as a result of practice.”
— Daniel Levitin
“The emerging picture from... studies is that ten thousand hours of practice is required to achieve the level of master associated with being a world-class expert—in anything.”
— Daniel Levitin
“Memory strength is also a function of how much we care about the experience. ...If I'm playing an instrument I like, and whose sound pleases me in and of itself... caring leads to attention, and together they lead to measurable neurochemical changes. Dopamine, the neurotransmitter associated with emotional regulation, alertness, and mood, is released, and the dopaminergic system aids in encoding the memory trace.”
— Daniel Levitin
“Mozart had extensive training from his father, who was widely considered the greatest living music teacher in all of Europe at the time.”
— Daniel Levitin
“We can say that speaking French "runs in families," but I don't know anyone who would claim that speaking French is genetic.”
— Daniel Levitin
“On average, successful people have had many more failures that unsuccessful people.”
— Daniel Levitin
“So much of the research on musical expertise has looked for accomplishment in the wrong place, in the facility of the fingers rather than the expressiveness of emotion.”
— Daniel Levitin
“Joni uses a lot of alternate tunings; that is, instead of tuning the guitar in the customary way, she tunes the strings to pitches of her own choosing. ...Joni will talk compellingly and passionately about alternate tunings for hours, comparing them to different colors that van Gogh used in his paintings.”
— Daniel Levitin
“Joni's genius is that she creates chords that are ambiguous, chords that have two or more different roots. ...Joni's music is as close to impressionist visual art as anything I've heard. ...harmonic complexity born out of her strict insistence that the music not be anchored in a single harmonic interpretation.”
— Daniel Levitin
“Memory for playing a musical piece... involves a process very much like that for music listening... through establishing standard schemas and expectation. In addition, musicians use chunking... tying information together into groups, and remembering the group as a whole rather than individual pieces.”
— Daniel Levitin
“Critical thinking is not something you do once with an issue and then drop it. It requires that we update our knowledge as new information comes in. Time spent evaluating claims is not just time well spent. It should be considered part of an implicit bargain we've all made.”
— Daniel Levitin
“Consonant intervals and dissonant intervals are processed via separate mechanisms in the auditory cortex.”
— Daniel Levitin
“Contour refers to the pattern of musical pitch in a melody—the sequence of ups or downs that the melody takes—regardless of the size of the interval.”
— Daniel Levitin
“Myelin is a fatty substance that coats the axons, speeding up synaptic transmission. Myelanation... is generally completed by age twenty. Multiple sclerosis is one of several degenerative diseases that can affect the myelin sheath...”
— Daniel Levitin
“The brain's synapses are programmed to grow for a number of years, making new connections. After that time, there is a shift toward pruning, to get rid of unneeded connections. ...Neuroplasticity is the ability of the brain to reorganize itself. ...the amount of reorganization that can occur in most adults is vastly less than can occur in children and adolescents.”
— Daniel Levitin
“When a musical piece is too simple we tend not to like it, finding it trivial. When it is too complex, we tend not to like it, finding it unpredictable—we don't perceive it to be grounded in anything familiar. Music, or any art form... has to strike the right balance between simplicity and complexity...”
— Daniel Levitin
“The power of art is that it can connect us to one another, and to larger truths about what it means to be alive and what it means to be human.”
— Daniel Levitin
“I think we will see personalized music stations in the next few years... controlled by computer algorithms... I think it will be important that... listeners have an "adventuresomeness" knob that will control the mix of old and new, or the mix of how far out the new music is from what they usually listen to.”
— Daniel Levitin
“A gene that promotes nurturing behavior postcopulation could... spread throughout the population, to the extent that the offspring of people with the nurturing gene fare better, as a group, in the competition for resources and mates.”
— Daniel Levitin
“Miller and his colleague Marty Haselton at UCLA have shown that creativity trumps wealth, at least in human females.”
— Daniel Levitin
“Musical instruments are among the oldest human-made artifacts we have found. ...Music predates agriculture in the history of our species.”
— Daniel Levitin
“The best estimates are that it takes a minimum of fifty thousand years for an adaptation to show up in the human genome. This is called evolutionary lag... Our hunter-gatherer ancestors had a very different lifestyle...”
— Daniel Levitin
“It is only in the last five hundred years that music has become a spectator activity—the thought of a musical concert in which a class of "experts" performed for an appreciative audience was virtually unkown throughout our history as a species. And it has only been in the last hundred years or so that the ties between musical sound and human movement have been minimized.”
— Daniel Levitin
“Collective music making... may have historically served to promote feelings of group togetherness and synchrony, and may have been an exercise for other social acts...”
— Daniel Levitin
“The argument is that there may be a cluster of genes that influences both outgoingness and musicality. If this were true, we would expect to find that deviations in one ability co-occur with deviations in the other, as we do in WS and ASD.”
— Daniel Levitin
“Music may be the activity that prepared our pre-human ancestors for speech communication and for the very cognitive, representational flexibility necessary to become humans.”
— Daniel Levitin
“For language to be generative, children must not be learning by rote. Music is also generative. For every musical phrase I hear, I can always add a note... to generate a new musical phrase.”
— Daniel Levitin
“Cosmides and Tooby argue that music's function in the developing child is to help prepare its mind for a number of complex cognitive and social activities, exercising the brain so that it will be ready for the demands placed on it by language and social interaction. ...Mother-infant interactions involving music almost always entail both singing and rhythmic movement...”
— Daniel Levitin
“The coming together of rhythm and melody bridges our cerebellum and our cerebral cortex.”
— Daniel Levitin
“In songbirds, it is generally the male of the species that sings, and for some species, the larger the repertoire, the more likely it is to attract a mate.”
— Daniel Levitin
“Music's evolutionary origin is established because it is present across all humans; it has been around for a long time; it involves specialized brain structures... and it is analogous to music making in other species.”
— Daniel Levitin
“Musical novelty attracts attention and overcomes boredom, increasing memorability.”
— Daniel Levitin
“Primates, some birds, and humans have mirror neurons... that fire both when performing an action and when observing someone else performing... We've found mirror neurons in Broca's area, a part... involved in speaking, and learning to speak. ...our mirror neurons may be firing when we see or hear musicians perform ... in preparation for being able to mirror or echo them back as part of a signaling system.”
— Daniel Levitin
“The multiple reinforcing cues of a good song—rhythm, melody, contour—cause music to stick in our heads. That is the reason why many ancient myths, epics, and even the Old Testament were set to music in preparation for being passed down by oral tradition across generations.”
— Daniel Levitin
“As a tool for the activation of specific thoughts, music is as good as language. The combination of the two—as best exemplified in the love song—is the best courtship of all.”
— Daniel Levitin
“Anyone who wants to understand human nature, the interaction between brain and culture, between evolution and society, has to take a close look at the role that music has held in the lives of humans.”
— Daniel Levitin
“Music has been a shaping force... music has been there to guide the development of human nature.”
— Daniel Levitin
“Music... is... a core element of our species, an activity that paved the way for more complex behaviors such as language, large-scale cooperative undertakings, and the passing down of important information from one generation to the next.”
— Daniel Levitin
“The six types of song that have shaped human nature—friendship, joy, comfort, knowledge, religion, and love songs—I've come to think are obvious...”
— Daniel Levitin
“We may have had music before we had a word for it.”
— Daniel Levitin
“Human process music using both absolute and relational processing... we attend to the actual pitches and duration we hear in music, as well as their relative values. This dual mode of processing is rare among species... These modes of processing and the brain mechanisms that gave rise to them were necessary for the development of language, music, poetry, and art.”
— Daniel Levitin
“The point of art is to emphasize some elements at the expense of others.”
— Daniel Levitin
“Music combines the temporal aspects of film and dance with the spatial aspects of painting and sculpture, where pitch space (or frequency space) takes the place of three-dimensional physical space... frequency maps in the auditory cortex... function much the way that spatial maps do in the visual cortex.”
— Daniel Levitin
“Creative brains became more attractive during centuries of sexual selection because they could solve a wider range of unanticipatable problems. ...Humans who just happened to find creativity attractive may have hitched their reproductive wagons to musicians and artists, and... conferred a survival advantage on their offspring.”
— Daniel Levitin
“The spiritual and emotional aspects of art are perhaps their most important qualities.”
— Daniel Levitin
“Both poetry and lyrics and all visual arts draw their power from their ability to express abstractions of reality. ...that is a feature of the musical brain.”
— Daniel Levitin
“Prior to the invention of writing, our ancestors had to rely on memory, sketches, or music to encode and preserve important information.”
— Daniel Levitin
“Memory is fallible... not because of storage limitations so much as retrieval limitations.”
— Daniel Levitin
“Fondness for stories is just one of many artifacts, side effects of the way our brains work.”
— Daniel Levitin
“It's not just that we remember things wrongly, but we don't even know we're remembering them wrongly, doggedly insisting that the inaccuracies are in fact true.”
— Daniel Levitin
“Thinking about one memory tends to activate other memories. ...If you are trying to retrieve a particular memory, the flood of memories can cause competition... leaving you with a traffic jam of neural nodes... leaving you with nothing.”
— Daniel Levitin
“Evolution doesn't design things... The brain is... like a big, old house with piecemeal renovations done on every floor, and less like new construction.”
— Daniel Levitin
“The information age has off-loaded a great deal of work previously done by people we could call information specialists onto all of the rest of us.”
— Daniel Levitin
“An organized mind leads effortlessly to good decision-making.”
— Daniel Levitin
“Most of us have adopted a strategy to get along called satisficing, a term coined by... Herbert Simon... to describe not getting the very best option but one that was good enough. ...Satisficing is one of the foundations of productive human behavior ...we don't waste time trying to find improvements that are not going to make a significant difference in our happiness or satisfaction.”
— Daniel Levitin
“Recent research in social psychology has shown that happy people are not people who have more; rather, they are people who are happy with what they already have. Happy people engage in satisficing all of the time, even if they don’t know it.”
— Daniel Levitin
“In 1976, the average supermarket stocked 9,000 unique products; today that number has ballooned to 40,000 of them, yet the average person gets 80%–85% of their needs in only 150 different supermarket items. That means that we need to ignore 39,850 items in the store.”
— Daniel Levitin
“The most fundamental principle of the organized mind, the one most critical to keeping us from forgetting or losing things, is to shift the burden of organizing from our brains to the external world.”
— Daniel Levitin
“You’d think people would realize they’re bad at multitasking and would quit. But a cognitive illusion sets in, fueled in part by a dopamine-adrenaline feedback loop, in which multitaskers think they are doing great.”
— Daniel Levitin
“Out of 30,000 edible plants thought to exist on earth, just eleven account for 93% of all that humans eat: oats, corn, rice, wheat, potatoes, yucca (also called tapioca or cassava), sorghum, millet, beans, barley, and rye.”
— Daniel Levitin
“Multitasking is a myth. ...What's actually happening in the brain is sequential tasking. ...the brain is rapidly shifting ...so quickly and seamlessly that you don't really notice... What you end up with is attention that's been fractionated into little... bits and you're not able to actually sustain attention on any one thing. ...You're not saving time. You're wasting time.”
— Daniel Levitin
“The brain is very good at self-delusion.”
— Daniel Levitin
“A good rule of thumb is every couple of hours take fifteen minutes off. Naps are also very helpful, short naps. Even a ten or fifteen minute nap in the middle of the day can be the equivalent of an hour and a half of extra sleep the night before, and it can raise your effective IQ by ten points.”
— Daniel Levitin
“Our species uses music and dance to express various feelings: love, joy, comfort, ceremony, knowledge, and friendship. And each one is distinct and widely recognized within cultures. Love songs cause us to move slowly and fluidly, for example, while songs of joy inspire us to dance in a full-body aerobic way.”
— Daniel Levitin
“Approximating involves making a series of educated guesses systematically by partitioning the problem into manageable chunks, identifying assumptions, and then using your general knowledge of the world to fill in the blanks.”
— Daniel Levitin